Well I'll tell you what I think, I think this my future brain donors is where you are going to find yours truly from now on. That's what I think.
CONTACT from Dominick Sivilli on Vimeo.
Well I'll tell you what I think, I think sometimes it's not about who you know, but rather who you don't know...yet. That's what I think.
On Friday I got a rather interesting email from a name I did not recognize, Jeremiah Kipp. Rather than automatically hit the spam button as I would normally do in such a situation, the subject line "Horror Films for review?" intrigued me, so I opened it instead. I soon learned that Mr. Kipp is a journalist for Fangoria and Shock Cinema magazines, he was a fan of this blog, and he was wondering if I wouldn't mind reviewing a couple of the short films he has directed.
Who am I to say no to such a request? I responded to his email letting him know I would be happy to have a look at them and share my thoughts, but that I wouldn't be able to post any commentary on them on the blog until Tuesday. He replied again letting me know that that was fine, and requested I send him a link when I posted this article. Well here we are.
Mr. Kipp provided me with three links. One for the short film entitled "Contact" that you can see for yourself up above, another for a short film called "Crestfallen", and finally another link to a trailer for the feature length movie "The Sadist". None of these films have a Zombie theme to them like the films I normally comment on here, but they are horror related so worth talking about regardless.
"Contact", shot completely in black and white, is a rather interesting piece. The imagery is surreal and sinister, and the deep shadows and contrasts provide a heightened sense of suspense. The subject matter is much deeper than it appears at first glance, and is definitely a film one should watch more than once in order to truly appreciate the vision Mr. Kipp has put on film.
My only quibble with "Contact", and it is a minor one, was the dialogue. Personally I feel the film would have been better off without it. It was rather jarring to hear someone speak when most of the film is silent except for the delightfully chilling musical score and succinctly timed sound effects.Those few lines of dialogue briefly spoiled my suspension of disbelief, and in my opinion detracted from the scene. Again, a minor issue and not enough to put me off the film all together.
"Crestfallen", is shot in color but muted by the masterful use of filters, and as such truly beautiful to behold. The entire film was simply an orgasm for the eyes. I can think of no other way to describe it. The score was likewise both haunting and heartbreaking at the same time, which carried the theme of the film so magnificently from start to finish. I was so upset when I came to realize that I could not share this one with you here, because of the three films that Mr. Kipp directed me to, this was without question my overall favorite.
The story behind "Crestfallen" is a somewhat familiar one, that of a beautiful young woman who is committing suicide, and the imagery throughout it's 6 minute run tells us what led her to this very dark place. Not a word is spoken over the course of the entire film as the sober melody guides the veiwer through her life, both happy times, and times of remorse. Mr. Kipp clearly understands the meaning of the word "crestfallen", and it shows in the manner in which he so deftly chose to portray his subject manner.
